Login
MetaCritic
72
UserScore
7.4

Amnesia: A Machine for Pigs Critic Reviews

59 Total Reviews

44 Positive Reviews(74.6%)
14 Mixed Reviews(23.7%)
1 Negative Reviews(1.7%)

Sorting & View

91
Multiplayer.it September 10, 2013
Amnesia: A Machine for Pigs is a well-oiled horror mechanism. It's a great sequel that will be loved by the old and new players.
90
NowGamer September 9, 2013
A Machine For Pigs is an almost flawless exercise in lurking horror that’ll send shivers down your (wait for it) swine.
89
PC Gamer September 9, 2013
A cerebral and spooky sequel that expands on the franchise’s story and themes, while slightly dialing down the terror.
87
3DJuegos September 9, 2013
A Machine For Pigs is a terrific survival horror experience, a game that horror fans should not miss.
87
Hooked Gamers September 9, 2013
The blood curdling story which has you twisting between empathy and loathing is truly fantastic, and it’s one of the best reasons to put aside any fears you may have and play this great game.
85
Gameplanet September 9, 2013
Grand in ambition but focused in execution, A Machine For Pigs is a terrific slice of Victorian industrial horror that will stay with you even as you try to sleep with the lights on.
85
Games Master UK October 20, 2013
Incredibly tense horror with a smart story and great use of sound.
84
Pelit (Finland) October 5, 2013
Amnesia: A Machine For Pigs has its faults as a game, but as an experience it can’t be faulted.
83
IGN September 10, 2013
Though its sharp fangs of resource management may have been dulled, in place of the swift bite is a deeper, more haunting world that will linger with me much longer than the original.
81
GamingTrend September 9, 2013
Played with one’s thinking cap on, A Machine for Pigs is sure to horrify even when it doesn’t frighten.
80
Polygon September 9, 2013
Its systems are deeply simplified, its sense of dread less all-encompassing. But it still leaves a lasting impression. The horror it filled me with was more subtle and insidious, and it's not going to be out of my system for many days to come.
80
VideoGamer September 9, 2013
After an hour of 'easy' exploration, you welcome back the real survival horror of Amnesia.
80
GameSpot September 9, 2013
This is a captivating adventure, but it's also a very dark and disturbing one that touches on depressing real-world themes and doles out psychological horror along with monsters and gore. Still, this gives the game added depth and a literary weight that elevates it well above much of the horror genre in general, especially in a game that arrives without much pretension and with a plot device about murderous pig-men.
80
Meristation September 9, 2013
Scary as hell, but not so much like its predecessor The Dark Descent - considered one of the scariest games ever made -, this Machine for Pigs is truly a terrifying Lovecraftian tale of Victorian and industrial horror, with unthinkable machines, mad doctors and more, but with some wrong design decisions.
80
Gamereactor Sweden September 10, 2013
Does what Amnesia: The Dark Descent did, and then some. We think that’s a good thing. Our underwear (yes, we share the same pair of underwear) begs to differ.
80
Adventure Gamers September 16, 2013
More of a side story than a full sequel, A Machine for Pigs is memorably dark, disturbing, and bizarre.
80
PC PowerPlay September 25, 2013
Familiar design that's thankfully still thoroughly unsettling. You'll never look at bacon the same way gain.
80
LEVEL (Czech Republic) October 24, 2013
A perfect clash of Dear Esther and Amnesia, focused on straining your nerves while easing - perhaps a tad too much - on the interaction and gameplay.
78
Game Informer September 9, 2013
The Chinese Room proves once again that it has wonderful, affecting stories to tell and can create environments that ooze atmosphere. The same could be said of some of the horror film genre’s best directors. However, A Machine for Pigs guides players along the bloody processing line too strictly, removing the impact of interactivity.
77
GameStar September 9, 2013
Quotation forthcoming.