Broken Roads Critic Reviews

Broken Roads is a charming, phenomenally written, and incredibly engaging RPG about life in what remains of the Down Under, and is equally likely to break your heart and put a smile on your face with its wonder storytelling and characters.

There aren’t too many truly authentic games set in Australia, made by Australians, telling Australian stories. Broken Roads is one, and it is one of the most different and interesting games you’ll play this year on that basis alone. Yes there are more refined RPGs out there, but none of those will take you on a crash course through Australian mannerisms while delivering a compelling narrative of human resilience, community, weakness and savagery.

Broken Roads looks from Australian shores toward some even recent classics of the CRPG genre and reworks a rather known formula through the lens of philosophy. The juxtaposition is a not so obvious success: in fact, philosophy is not used as a mere label to offer a re-brand of something already seen, but a g that moves both the game mechanics and the narrative progression.

Broken Roads is an ode to the cRPGs of old, but it’s also a step forward for the genre, showing that the ‘90s approach still has a place today. The turn-based combat is punchy and responsive, the art style is gorgeous, and the roleplaying capabilities brought about by its revolutionary morality system lift Broken Roads out of the shadows of its inspirations and into its own spotlight.

You may trample your own path through the post-apocalypse, but you must be ready to accept the consequences. In exploring this concept, and allowing human morals and values to shape each individual journey through the post-apocalypse, the tale of Broken Roads lands with a devastating impact.

Despite its rather simple combat system, Broken Roads is a fantastic new entry in the RPG genre.

Broken Roads is a video game that shows how quickly the ambitions of a development team can outrun its ability to deliver. The Outback setting is great, but the narrative threads can interact in weird ways. The Moral Compass is impressive as a concept but can feel restrictive in practice. Combat is just stiff enough to feel like a chore. Bugs and glitches sometimes interfere with quest progress. I love the sections where the focus is on talking to people, clicking on the environment for some extra lore, and thinking about where to source things people need to improve their lives. The narrator greatly enhances emotional moments. Broken Roads has heart and good systems. Players who like the setting and the RPG genre should play it if they are comfortable with some jank, while others should wait for a few patches before buying it.

Broken Roads is certainly a tribute to Outback Australia as much as it is to role-playing games of the past, and as an Aussie myself, I found this refreshing.The bleak surrounds and the harshness of many of the characters really set the tone of the post-apocalyptic storyline. The Moral Compass and the ability to level up your character’s abilities in any way you choose ensures that the game feels more personalised as you travel from one location to the next. And although the questing can feel somewhat laborious at times, and the citizens can be somewhat abrupt, there is a story behind every interaction - one that provides hope for those that have struggled to survive the 'wide brown land' they call home.

Overall, the ways Broken Roads challenged me were fascinating and frustrating, sometimes simultaneously. It definitely won’t be everyone’s cup of tea, though I suspect some will adore it. If you’re the reflective type, it’s sure to get the gears turning. If nothing else, it’s much cheaper than taking Philosophy 101 at a university.

If you're looking for a game with tough choices and challenging combat to get lost in, you could do much worse than Broken Roads.

Broken Roads is an old-school role-playing game that draws heavily from revered classics like Wasteland, Fallout (especially in terms of settings), and Planescape: Torment. With its well-established and ever-relevant mechanics, it manages to engage veteran players, primarily due to its intriguing plot and multiple-choice dialogues, which allow for extensive replayability. It’s a shame that certain aspects are neglected, although this can be partially justified by the available resources: with five years of development, more could have been achieved.

In the end, it’s best to look at Broken Roads as the answer to “What if Fallout but Australia?” Fans of any CRPG will immediately recognise a lot of what Broken Roads is going for, and those with more old school tastes will feel right at home nestled deep in the West Australian outback.

Broken Roads is a cult classic in the making. It hearkens to the best parts of games like Fallout 2, and many other CRPGs of the '90s, and it fits right in alongside classic Fallout and the Wasteland games. It’s flawed in some areas, with bugs in spots, but it offers tremendous role-playing and storytelling that make it more than worth your time to spend upwards of thirty or more hours in post-apocalyptic Australia.

Broken Roads has an engaging post-apocalyptic setting that, while a bit familiar, manages to still retain its own identity thanks to its Australian flair, it also has some interesting gameplay ideas and some engaging choices that allow you to impact the world around you. The game is not without flaws though: combat is clunky and unbalanced, the early phases are far too linear and, perhaps more importantly for a game focused on narrative, its characters often fail to leave a strong impression and its narrative never quite reaches the incredible heights of games like Disco Elysium or Pentiment.

The hand-drawn artwork is nice to look at, the turn-based tactical combat can be incredibly challenging and rewarding, and players will feel like they have an impact on the world. Broken Roads is held back a bit by its shortcomings, but those looking for something to sink their teeth into may still want to take it for a spin.

While it does have some stumbles it is an RPG that does away with the traditional good/bad decisions and has room for those moments where even the stalwart paragon of justice has to get down in the mud to get his way.

There's half of an amazing game in Broken Roads. Trouble is you have to play the other half.

Broken Roads offers a rich post-apocalyptic world with complex characters and philosophical debates, reminiscent of Wasteland and Disco Elysium. However, it suffers from unfulfilled ambitions and lacks depth in gameplay mechanics. Despite memorable moments and intriguing moral choices, it's hindered by simplistic combat and repetitive missions. Overall, it's a flawed but engaging experience for those willing to overlook its shortcomings.

Broken Roads is a game that I wish I liked more. The authentic Aussie identity which shines through its dialogue, voice acting, and art is a joy to behold, and its exploration of morality through the application of classical moral frameworks in a post-apocalyptic setting is a terrific idea that brings a unique spin to played-out moral choice systems. Unfortunately, underwhelming combat and loading screen-laden fetch quests definitely hold it back, and the presence of game-breaking bugs make it only a tentative recommendation as long as you keep those aspects in mind.

Ultimately my time with Broken Roads didn’t light up any of the parts of my brain that video games typically do on some level or another. There’s some promise at first with its distinct, all-encompassing cultural flavor. But the scenario holding up the setting only struggled to capture my interest. Combat was a similar vibe, feeling like doing chores in the middle of reading a middle of the road novel in a crowded genre. While cool on paper the morality system did more harm than good, overloading the dialogue and getting in the way of character and personality. Nothing in Broken Roads felt bad or, well, broken. But whenever I played it, unless I was chuckling at the slang translator doing something weird I was always thinking of other things I would rather be doing.