Call of the Sea

Call of the Sea is basically one big escape room, in which you go from location to location while solving varied and mostly interesting puzzles. Sometimes, however, developer Out of the Blue expects a little too much, which can lead to frustrating moments and a wandering player.

We get a story whose late twists are telegraphed within the first hour or so, and an ending drenched with homage to the Shape of Water. The journey, however, is worth taking. I relished the spectacle of a stranded ship, its hull gashed with Godzilla-sized claw marks. And, in the wavering depths of a dream sequence, Norah swimming down towards a pair of glowing eyes. Still, that sort of thing is par for the course, when you’re in Lovecraftland. What rescues the game from the descent into cliché isn’t a rise to sanity. Nor is it the call of the sea. It’s Harry. You believe in Norah because she believes in him, and even when the plot goes bats you want to see them back together. Who would have thought that the solution to madness might be marriage? Thanks, Old Pal.

My only real complaint is that there’s very little replay value outside of getting the second ending (though it’s just a final choice you make, so you could just play the final chapter again), searching for hidden collectables and cleaning up missing achievements. The setting and narrative are fantastic and it’s an adventure I’m glad to have been a part of. You can tell that Call of the Sea was made with much care and love as it’s one of those games that simply has a lot of character and heart.