Nowhere Prophet Critic Reviews

As a lover of strategy card games, I was extremely pleased by Nowhere Prophet and am excited to go back to it again. It has everything you’d want from a card game: combat, strategy and a huge plethora of options for your decks. It can be very difficult to begin with until you’ve mastered the game’s rules, which may initially turn some players away, but stick with it and you’ll find an excellent adventure lying in wait.

Nowhere Prophet is an excellent single player card battler that punish you with its difficulty. The battle system has a lot of depth to it, while you're constantly worrying about your convoy as events take their toll. Still, death simply means starting again with a freshly generated campaign and getting to see more of the game's world. Nowhere Prophet can be frustrating at times, but it's fun to play through and is highly recommended to those who like strategy or card battlers.

Overall, Nowhere Prophet manages to feel like a completely new experience, despite the fact that you can see a lot of the game’s influences in the way it plays. The mesh of different ideas and genres makes for a game that will hook you and keep you coming back for more. Even losses aren’t as infuriating as they could be thanks to the regular unlocks you get as you go through each run. It’s just really good, and if you like card games, then you should add this to your shuffle pile.

Nowhere Prophet is a single player, deckbuilding roguelike that manages to balance each of its systems to create interesting, engaging and unique stories. While it isn't without faults, its complexity and intrigue make it something you'll keep coming back to.

This is a game that goes far beyond what could otherwise be a rather limited framework. Nowhere Prophet is an addictive, striking card game with an impressive world to explore and tale to tell. A little bit of creativity really goes a long way.

I love the music, the electro-Indian soundtrack is so wonderfully unique and gives the journey such a magnificent texturing. The various factions with their distinctive styles, like the Blue Devils that voluntarily allow themselves to become infected and die young in order to become more powerful. Sharkbomb Studios have done fantastically to create a gameworld that feels unique to the point that I, even more than usual, want more games based on cultures outside the usual UK, US, Japan influence. And while I have harked on the gameplay, I actually really enjoy it up until the inevitable unfair fight that brings me to my old friend, the Game Over screen. It’s much like FTL. Yay, yay, yay, ooh close one, yay, no, what, stop it, bugger off, f*** this game, repeat.

Nowhere Prophet combines two very different genres: TCG and roguelike, to create a hybrid experience that surprises in how organic it feels. The card-based combat has depth and weight, and adds to the game a sense or permanent loss that feels great.

Defeat in Nowhere Prophet can be creeping, as your resources drain away, or sudden, as you fall victim to an unexpected combination of cards. Either way, it feels like playing against an opponent who overturns the table when they win, leaving you to gather up the spilled cards. It'll be another couple of hours before you have a deck that feels unique, before you escape the mire of enemies and text events you've seen a dozen times. It's enough to make you a sore loser.

Nowhere Prophet’s ideas fill the game like a balloon, rising towards greatness – a balloon that gets punctured by lacklustre writing and wonky AI. It reaches for The Banner Saga‘s intimacy and Duelyst‘s intricacy, but winds up falling shy of both. Like most prophets, Nowhere is a false one.